Beginner Watercolor Portraits – Mario A. Robinson
- For best results, create a value-based underpainting (you’ll be so glad you did!)
- What type of block-in works best for watercolor portraits? Mario shows you!
- Avoid this quality-killer of portraits … you may not even know you’re doing this bad thing!
- Correct water-to-pigment mixtures — it is an exact science
- How remaining transparent will help you get noticed! (It works for Mario, and it will work for you, too!)
- Glazes, glazes, and more glazes — you can never have enough … or can you?
- Want more realism in your portraits? Do this!
New and different approaches to watercolor painting — you’ll wish you knew this stuff a long time ago, but you’ll know now!
- Enjoy the process of painting a high-quality portrait
- Thorough explanations and demonstrations … all simplified for better learning and application
- Portraits need soft edges … here’s how to create them!
- You’re the boss of your watercolor … but you have to be a nice boss! This alone will skyrocket the quality of your watercolor work!
- Control the approach … and control the outcome!
- Why it’s OK to paint over everything you just did!
- Your portraits need facial moisturizer, too!
- Mario’s (not so) secret weapon to block the staining of the pigment and to soften edges (he glady shares it all with you!)
- And so much more…
- Establishing proper value relationships at block-in
- Color application and how to create naturalistic tones for your portrait
- The integral role water-to-pigment mixtures play in creating luminous watercolors
- Techniques for keeping the watercolor transparent — especially important for portrait painting to avoid oversaturation
- Techniques that will help your painting become more dynamic with each layer, creating drama and story
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